This work involved the technical animation and rig adaptation of a creature asset for Los Angles, focusing on solving non-standard motion and deformation challenges. Starting from an existing rigged snake model, I modified and extended the rig to support a double-headed configuration and spline-driven locomotion across uneven terrain. The project emphasized balancing procedural control with animator-driven performance to achieve believable creature motion within a production-oriented workflow.

Lost is a character-driven animation and FX study combining performance animation with procedural visual effects. The project involved creating a baby elephant character derived from an existing model, followed by rigging, texturing, and animating a 30-second performance sequence. The animation culminates in a narrative-driven transition from mesh-based character animation into a fully procedural Houdini particle effect, exploring the relationship between physical performance, emotional storytelling, and FX-driven transformation.

While final lighting and compositing were not completed, all character animation and Houdini-based FX systems were fully developed and tested.

This body of work represents multiple semesters of character and creature animation, focusing on performance, physicality, and cinematic motion. Projects include full character animation exercises, creature studies, and production-adjacent animation developed alongside modeling, rigging, and texturing workflows. This foundation supports my work in previs, virtual production, and VFX by enabling clear communication of motion, timing, and intent across departments.